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"Monstrous teapots and tart tangerines: How food signifies the sinister in Rebecca" - Shared screen with speaker view
iPhone
09:00
So excited!!!
Allie
09:17
Hello! Welcome!
Lisa Holton
12:01
loud and clear, thanks!
Joan Passey
13:27
Unbound link: https://unbound.com/books/a-gothic-cookbook/
Joan Passey
13:43
Attendees have a special discount code for Unbound: "REBECCA10", valid for 10% off pledges up to £100 from now until midnight Oct 1st.
Joan Passey
13:52
As a special bonus, there is also a pledge section just for Gothic Reading Group attendees, available here: https://unbound.com/books/a-gothic-cookbook/levels/12185/subscribe
Joan Passey
14:22
Hand out for today's talk: https://drive.google.com/file/d/13KhpbkVAaAWPRS0_Fp94ZjKrJTXDCTvI/view?usp=sharing
iPhone
17:12
Also makes me think, at the mention of funeral meats, of funeral cookies and cakes
Victoria Audley
29:02
Question for Allie: is there any particular symbolic association with salmon?
iPhone
35:31
Q: In the beginning, the second Mrs de Winter is at a hotel after the fact and thinking about how Mrs Danvers would give her a critical/judgemental eye about the leftovers of afternoon tea, when tea time is an often occurrence in the book. The character does appear to have food insecurity of a person who has been in her situation in her life and it does persist in the book. Do you think this theme was meant to be as present in the underlying feel of gothic horror, or just background?
Robin Englehart-Bagley Custer
35:50
I made crumpets once & found them to be fairly difficult. Also, being in the US, they're not common here. But they were delicious!
Lisa Holton
36:36
yay vegetarian options!
Coralie Clark Lupi
37:58
Can we go back to the bit with the dogs and her finding the handkerchief in her pocket that belonged to Rebecca. Doesn’t a dog figure in the scene when she finds Rebecca’s seaside hide away? I can’t find my text— one of my daughters has gone off with it.
Coralie Clark Lupi
38:23
Is the salmon and lobster indicative if the fishy end of the first Mrs. DeWinter — especially if ‘dressed’ French finery (the sauces?).
Coralie Clark Lupi
38:42
Fishy not as mysterious but literally in the sea…
Robin Englehart-Bagley Custer
39:26
I may have to try them again, I still have the rings
Coralie Clark Lupi
39:46
Trypophobia
Julia
40:00
Is the narrator's consumption of Rebecca's favourite dishes a means for her to incorporate her within her body, to absorb the other?
Victoria Audley
40:53
ooh I love that idea Julia
Coralie Clark Lupi
41:00
The insecurity that went along with Rebecca’s fine lingerie — was it French made?
Coralie Clark Lupi
41:56
Yes, London
Coralie Clark Lupi
42:19
I’m going by faded memories
Coralie Clark Lupi
42:38
Good point Julia
iPhone
42:56
There does seem to be also a contrast between how Maxim is always quick and to the point about food and eating, more efficient and able to distract himself. Where as the second Mrs de Winter can not.
Victoria Audley
42:56
it's coming up again in my re-read stack but I haven't read it in many years
Robin Englehart-Bagley Custer
43:05
I always loved the scene of Rebecca's study (or morning room, can't remember exactly) - that was such Rebecca's room - so personal
iPhone
43:18
I just am rereading it now, but I read it first when I was like 10 XD
Robin Englehart-Bagley Custer
43:35
I refused to watch the new version ;)
Victoria Audley
43:49
I didn't watch the new one but heard very poor reviews
iPhone
44:22
She did mention it. How lively it still made the first Mrs de Winter feel more alive with how it seemed fresh and curated
Lisa Holton
44:23
Kristin Scott Thomas is superb.
iPhone
46:07
Haha the mystery Agatha couldn’t crack
Coralie Clark Lupi
46:32
I don’t want to disrespect the new film but she went into Manderley with everything on her side: Max’s passion, her great clothes, her beauty etc. There was nothing to be insecure about. In fact, she gives a strong, knowing look of self-assertion in a mirror just before leaving Mrs. Van Hopper. Max too young, too. I think it was made for today’s audiences that desire strong female leads and are frankly tired of the older man-you her woman trope. So I understand the new take but I didn’t care for it nor felt it would draw new readers to the text. Mrs. Van Hopper was brilliant. I digress!
Victoria Audley
47:13
ahh. the same drawbacks to girlboss Cinderella then
Coralie Clark Lupi
47:13
Younger oops
Coralie Clark Lupi
47:42
Yes— she has that in her so perhaps the mirror look is ok.
Coralie Clark Lupi
47:57
The hotel and surrounds are gorgeous.
iPhone
48:11
The burning part gave me such a start and I had that feeling too as a kid. Like…fire at the beginning…fire at the end
Robin Englehart-Bagley Custer
48:37
Maxim is still the biggest villain in my opinion
Victoria Audley
48:49
I agree Robin
iPhone
49:00
Maxim was very much like how he eats, distracted by it and busying himself with it as opposed to everything around him.
Coralie Clark Lupi
49:38
It’s a good question and I want to reread it through her lens more—
Coralie Clark Lupi
51:13
Yes, the expectation of a tangerine is sweetness…such a disappointment
iPhone
51:49
Mrs Van Hooper even insinuates that he was marrying because he couldn’t stand to be alone. I forget the exact words
Robin Englehart-Bagley Custer
53:17
Another bit about Rebecca's connection to or hold over Manderley - the rhododendrons! (likely not spelled correctly) so creepy
iPhone
53:22
I think Maxim was probably the same with Rebecca since he seems very consistent. He doesn’t change anything about the morning room and it still seemed fresh, in a way. The only thing that they change is which wing they live in.
Robin Englehart-Bagley Custer
57:30
The morning room - my favorite scene in the book
Victoria Audley
57:42
I'm definitely going to be looking out for food scenes when I re-read
Robin Englehart-Bagley Custer
57:45
yes!
Robin Englehart-Bagley Custer
01:00:41
Are there going to be tea suggesitons too?
Victoria Audley
01:00:46
thank you so much, this was such a great talk!
Robin Englehart-Bagley Custer
01:01:00
brewed tea yes
Katie Bojan
01:01:30
Thank you! this was so wonderful! I can't wait for the cookbook!
Robin Englehart-Bagley Custer
01:01:40
That would be great
iPhone
01:01:48
I’m going to make some crumpets. TW : And playing on the spooky (SORRY SORRY SORRY) maybe find something to make it spookier with red foods.
Allie
01:02:04
https://unbound.com/books/a-gothic-cookbook/
Coralie Clark Lupi
01:02:16
Good and class. Mrs. Dancers has her place with the servants but also has that (can I use the word) liminal space of Rebecca’s room that she can not only be the chatelaine but move through, touch, yearn for—-yearn for Rebecca or for that higher class of life. Is there mention of Mrs. Danvers eating with the servants?
Coralie Clark Lupi
01:02:44
Good about food. Autocorrect! Agh!
Coralie Clark Lupi
01:02:55
Dancer is Danver…lol
Coralie Clark Lupi
01:03:03
Dancer is Danver…lol
Coralie Clark Lupi
01:03:15
Thank you from Canada! I really enjoyed this! I’ll be scouring the shelves of my girls’ rooms to find my copy. Will you book be available internationally? I know your in the crowd finding stage right now.
iPhone
01:03:58
It was a hyperfixation on Rebecca, regardless of the type of “love” she may have felt.
Coralie Clark Lupi
01:03:59
Yes— love for Rebecca or as a mother. So many reasons to read it again!
iPhone
01:04:48
Thank you! It was wonderful!
Robin Englehart-Bagley Custer
01:04:50
So enjoyable - thank you so much!
Coralie Clark Lupi
01:04:59
Wonderful! Fantastic job. This is a relevant lens into the novel!
Allie
01:04:59
Thank you everyone!